{"id":227,"date":"2013-05-06T09:50:28","date_gmt":"2013-05-06T09:50:28","guid":{"rendered":"http:\/\/fbaul-dcnm.pt\/wp\/?p=227"},"modified":"2016-05-02T15:36:14","modified_gmt":"2016-05-02T15:36:14","slug":"visao-e-imagem-o-papel-da-visao-optica-tactil-e-sinestesica-na-aproximacao-entre-dois-mundos-o-real-e-o-imagetico","status":"publish","type":"post","link":"http:\/\/fbaul-dcnm.pt\/wp\/?p=227","title":{"rendered":"Vis\u00e3o e imagem: o papel da vis\u00e3o \u00f3ptica, t\u00e1ctil e sinest\u00e9sica na aproxima\u00e7\u00e3o entre dois mundos – o real e o imag\u00e9tico"},"content":{"rendered":"

\"Morton<\/p>\n

Rute Sel\u00e9sio de Morais<\/strong> \/ orient. Maria Jo\u00e3o Gamito. 2013
\n\u2014
\nDISSERTA\u00c7\u00c3O [PT]<\/a>
\n\u2014
\nRESUMO<\/strong>
\nA imagem sempre fez parte do nosso quotidiano e se, por um lado, serve de mediadora entre n\u00f3s e o mundo, por outro, cada vez mais, serve de mediadora entre n\u00f3s e outros mundos. Hoje, a imagem parece prolongar o nosso mundo e \u00e9 nesse sentido que a presente investiga\u00e7\u00e3o procura compreender de que modo a imagem evoluiu e, consequentemente, permitiu a imers\u00e3o do observador. Esta investiga\u00e7\u00e3o tem como objectivo estudar e estabelecer rela\u00e7\u00f5es entre vis\u00e3o e imagem. Ela defende que o n\u00edvel de imers\u00e3o do observador aumenta consoante o tipo de contacto visual que ele mant\u00e9m com a imagem. Este contacto visual, de uma forma geral, n\u00e3o \u00e9 proporcionado somente pelos olhos mas, mais do que isso, pela uni\u00e3o de todos os sentidos perceptuais. Assim sendo, a investiga\u00e7\u00e3o alega essencialmente que os diferentes tipos de vis\u00e3o que o observador exerce (vis\u00e3o \u00f3ptica, t\u00e1ctil ou sinest\u00e9sica), em concilia\u00e7\u00e3o com os diferentes tipos de imagem\/ media que foram sendo remediados ao longo dos s\u00e9culos, influenciam de forma determinante a sua imers\u00e3o na imagem. Neste \u00e2mbito e de forma a confirmar essa ideia, procurou fazer-se, para al\u00e9m do estudo de in\u00fameros conceitos base, entre eles, remedia\u00e7\u00e3o; imediacia; hipermediacia; vis\u00e3o \u00f3ptica, t\u00e1ctil e sinest\u00e9sica; moldura\/ parergon; existenzmaximum; imers\u00e3o; e ubiquidade, o levantamento de diversos dispositivos \u00f3pticos e imersivos para que pudessem ser delineadas as suas caracter\u00edsticas centrais e se registasse as suas principais evolu\u00e7\u00f5es (leia-se, remedia\u00e7\u00f5es), ao longo do tempo. Nesta perspectiva, salienta-se que estes diferentes dispositivos devem ser entendidos como o resultado de uma procura incessante de remedia\u00e7\u00e3o de outros, bastante mais antigos, que j\u00e1 continham em si o desejo do observador entrar na imagem.
\nPalavras-chave: <\/strong>Vis\u00e3o, Imagem, Imers\u00e3o, Sinestesia, Remedia\u00e7\u00e3o
\n\u2014
\nABSTRACT<\/strong>
\nThe image has always been part of our daily lives and if, on one hand, it serves as a mediator between us and the world, on the other hand, it also acts a mediator between us and other worlds. Nowadays, the image seems to extend our world and that\u2019s what this research seeks to understand how the image evolved and, consequently, allowed the immersion of the viewer.
\nThis research aims to study and establish relationships between vision and image. It states that the level of immersion of the viewer increases depending on the type of eye contact he has with the image. This visual contact, in general, is not only provided by the eye but, more than that, the union of all the perceptual sense. Therefore, this research essentially states that the different types of vision that the viewer plays (optical, haptic or synesthetic vision), together with the different types of image\/media, that somehow have been remediated over the centuries, influence in a decisive manner their immersion in the image.
\nIn this context and in order to confirm this idea, the goal was to go beyond the study of many basic concepts, among them remediation; imediacy; hipermediacy; optical, haptic and synesthetic vision; frame\/ parergon; existenzmaximum; immersion; and ubiquity, the analysis of several optical and immersive devices in order to focus on their specific properties and track their major developments (as in, remediations) over time. In this perspective, it is emphasized that these various devices must be understood as the result of a constant search for remediation of other, quite older, already kept in it the desire of the viewer to enter the image.
\nKeywords: <\/strong>Vision, Image, Imersion, Synesthesia, Remediation<\/p>\n

img: Morton Heilig (1926-1997) Sensorama (1950)<\/p>\n","protected":false},"excerpt":{"rendered":"

Rute Sel\u00e9sio de Morais \/ orient. Maria Jo\u00e3o Gamito. 2013 \u2014 DISSERTA\u00c7\u00c3O [PT] \u2014 RESUMO A imagem sempre fez parte do nosso quotidiano e se, por um lado, serve de mediadora entre n\u00f3s e o mundo, por outro, cada vez mais, serve de mediadora entre n\u00f3s e outros mundos. Hoje, a imagem parece prolongar o […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[9],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/227"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=227"}],"version-history":[{"count":3,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions"}],"predecessor-version":[{"id":274,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/227\/revisions\/274"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=227"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}