{"id":275,"date":"2012-07-13T09:30:00","date_gmt":"2012-07-13T09:30:00","guid":{"rendered":"http:\/\/fbaul-dcnm.pt\/wp\/?p=275"},"modified":"2015-10-06T10:07:54","modified_gmt":"2015-10-06T10:07:54","slug":"oriente-lisboa-o-sitio-como-protagonista-num-filme","status":"publish","type":"post","link":"http:\/\/fbaul-dcnm.pt\/wp\/?p=275","title":{"rendered":"Oriente, Lisboa: o s\u00edtio como protagonista num filme"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-276\" src=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2014\/05\/orientelisboa-img-350x198.png\" alt=\"orientelisboa-img\" width=\"350\" height=\"198\" srcset=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2014\/05\/orientelisboa-img-350x198.png 350w, http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2014\/05\/orientelisboa-img.png 972w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p><strong>Rui Manuel da Cal Silveira <\/strong>\/ orient. Victor Almeida ; co-orient. Fernando Varanda, 2012<br \/>\n\u2014<br \/>\n<a href=\"http:\/\/cargocollective.com\/ruisilveira\/Oriente-Lisboa\" target=\"_blank\">V\u00cdDEO<\/a><br \/>\n<a href=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2014\/05\/ULFBA_TES619.pdf\" target=\"_blank\">DISSERTA\u00c7\u00c3O[PT]<\/a><br \/>\n\u2014<br \/>\n<strong>RESUMO<\/strong><br \/>\nEsta disserta\u00e7\u00e3o partiu do processo de realiza\u00e7\u00e3o de um filme cuja personagem principal fosse um s\u00edtio. A \u00e1rea geogr\u00e1fica escolhida para este papel foi o Oriente, em Lisboa. O processo de realiza\u00e7\u00e3o do filme \u00e9 descrito em dois di\u00e1logos e um mon\u00f3logo entre dois habitantes simb\u00f3licos do local, que encarnam o papel do espectador que pergunta e do realizador que explica. As refer\u00eancias liter\u00e1rias e cinematogr\u00e1ficas que acompanharam a feitura do filme s\u00e3o o objeto do cap\u00edtulo que enquadra a mat\u00e9ria dos di\u00e1logos. \u00c9 corrente associar a ideia de \u201cdrama\u201d a actores humanos; neste trabalho explora- -se, com resursos m\u00ednimos, como o drama se pode sugerir, n\u00e3o pela incid\u00eancia sobre as a\u00e7\u00f5es das pessoas, mas pela forma como o s\u00edtio \u00e9 filmado.<br \/>\n<strong>Palavras-chave:<\/strong> S\u00edtio; Protagonista; Filme; Cinema; V\u00eddeo.<br \/>\n\u2014<br \/>\n<strong>ABSTRACT<\/strong><br \/>\nThis dissertation departed from the process of making a movie whose main character is a place. The geographical area chosen for the role was Oriente, in Lisbon.<br \/>\nThe making-of the movie is described in two dialogues and a monologue between two symbolic inhabitants of the place, embodying the role of the inquisitive spectator and the explaining director. The literary and cinematographic references that followed the movie making are the object of the chapter that frames the subject matter of the dialogues.<br \/>\nIt is common to associate the idea of \u201cdrama\u201d to human actors; this study explores with few means how one can suggest drama, not by focusing on people\u2019s actions but by the manner the place is filmed.<br \/>\n<strong>Keywords: <\/strong>Place; Protagonist; Film; Cinema; Video.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rui Manuel da Cal Silveira \/ orient. Victor Almeida ; co-orient. Fernando Varanda, 2012 \u2014 V\u00cdDEO DISSERTA\u00c7\u00c3O[PT] \u2014 RESUMO Esta disserta\u00e7\u00e3o partiu do processo de realiza\u00e7\u00e3o de um filme cuja personagem principal fosse um s\u00edtio. A \u00e1rea geogr\u00e1fica escolhida para este papel foi o Oriente, em Lisboa. O processo de realiza\u00e7\u00e3o do filme \u00e9 descrito [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[9],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/275"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=275"}],"version-history":[{"count":2,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/275\/revisions"}],"predecessor-version":[{"id":729,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/275\/revisions\/729"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=275"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}