{"id":696,"date":"2015-01-09T17:00:27","date_gmt":"2015-01-09T17:00:27","guid":{"rendered":"http:\/\/fbaul-dcnm.pt\/wp\/?p=696"},"modified":"2015-10-05T19:17:12","modified_gmt":"2015-10-05T19:17:12","slug":"a-critica-de-design-grafico-no-contexto-das-plataformas-digitais-o-blog-como-espaco-preferencial-de-discussao","status":"publish","type":"post","link":"http:\/\/fbaul-dcnm.pt\/wp\/?p=696","title":{"rendered":"A cr\u00edtica de design gr\u00e1fico no contexto das plataformas digitais: o blog como espa\u00e7o preferencial de discuss\u00e3o"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-698\" src=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2015\/09\/RESSABIATOR-350x220.jpg\" alt=\"RESSABIATOR\" width=\"350\" height=\"220\" srcset=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2015\/09\/RESSABIATOR-350x220.jpg 350w, http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2015\/09\/RESSABIATOR-1024x645.jpg 1024w, http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2015\/09\/RESSABIATOR.jpg 1063w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/strong><\/p>\n<p>Maria In\u00eas Chambel \/ orient. C\u00e2ndida Ruivo<br \/>\n\u2014<br \/>\n<strong>Artigo sobre o\u00a0trabalho publicado no <a href=\"http:\/\/www.designportugues.pt\/pt\/ensaios\/a-critica-de-design-grafico-no-contexto-das-plataformas-digitais\" target=\"_blank\">site do design portugu\u00eas<\/a><br \/>\n<\/strong>\u2014<br \/>\n<a title=\"DISS (REPOSIT\u00d3TIO UL)\" href=\"http:\/\/hdl.handle.net\/10451\/18192\" target=\"_blank\">DISSERTA\u00c7\u00c3O [PT]<\/a><br \/>\n\u2014<br \/>\n<strong>RESUMO<\/strong><br \/>\nO meio digital trouxe ve\u00edculos alternativos para a cr\u00edtica, constituindo-se como alternativa ao tradicional meio impresso, local privilegiado ao longo dos s\u00e9culos para a publica\u00e7\u00e3o de textos cr\u00edticos sobre a produ\u00e7\u00e3o cultural. Enquanto as revistas e os jornais apresentam a cr\u00edtica a partir de um quadro de refer\u00eancia, os blogs pelo seu car\u00e1ter multivalente e participativo, oferecem uma maneira pouco convencional de comunicar ideias, dando a oportunidade ao p\u00fablico de participar no di\u00e1logo e de expor publicamente e livremente as suas ideias.<br \/>\nNovas implica\u00e7\u00f5es relacionadas com a publica\u00e7\u00e3o e dissemina\u00e7\u00e3o de conte\u00fados online colocaram em quest\u00e3o a natureza e a pertin\u00eancia da cr\u00edtica e o lugar do cr\u00edtico. No campo do design gr\u00e1fico, novos espa\u00e7os para a cr\u00edtica foram sin\u00f3nimo de maior debate e informa\u00e7\u00e3o em torno da disciplina.<br \/>\nEsta disserta\u00e7\u00e3o analisa a cr\u00edtica do design gr\u00e1fico no contexto da Internet, e pretende explorar e compreender as possibilidades geradas pelo meio online, particularmente o blog e as formas de cr\u00edtica que propicia.<br \/>\n<strong>Palavras-chave: <\/strong><em>Cr\u00edtica, design gr\u00e1fico, Internet, blog<\/em><\/p>\n<p><strong>Abstract<\/strong><br \/>\nThe digital medium has brought alternative means for criticism, constituting itself as an alternative to the traditional print medium, favored for centuries for the publication of critical texts on cultural production. While magazines and newspapers present criticism from a frame of reference, blogs, due to participatory and multivalent characteristics, offer an unconventional way to communicate ideas, giving the public the opportunity to participate in dialogue and publicly expose their ideas.<br \/>\nNew implications related to the publication and dissemination of online content question the nature and relevance of the critic and the criticism. In the graphic design field, new spaces for critical debate lead to greater debate and an increase of information on the subject.<br \/>\nThis dissertation examines the graphic design criticism in the context of the Internet, and aims to explore and understand the possibilities brought by the online environment, particularly the blog and the forms of critique it provides.<br \/>\n<strong>Keywords: <\/strong><em>Criticism, Graphic Design, Internet, blog<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maria In\u00eas Chambel \/ orient. C\u00e2ndida Ruivo \u2014 Artigo sobre o\u00a0trabalho publicado no site do design portugu\u00eas \u2014 DISSERTA\u00c7\u00c3O [PT] \u2014 RESUMO O meio digital trouxe ve\u00edculos alternativos para a cr\u00edtica, constituindo-se como alternativa ao tradicional meio impresso, local privilegiado ao longo dos s\u00e9culos para a publica\u00e7\u00e3o de textos cr\u00edticos sobre a produ\u00e7\u00e3o cultural. Enquanto [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[12],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/696"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=696"}],"version-history":[{"count":4,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/696\/revisions"}],"predecessor-version":[{"id":728,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/696\/revisions\/728"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=696"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}