ABSTRACT<\/strong>
\nWithin the communication design practice, work is rarely the result of a close partnership between designers and writers. Nonetheless, this relationship somehow happens on the conceptualization and editing of hybrid novels. Hybrid novels are novels where graphics devices are added to the main text in a complementary association to produce a new reading experience. These novels can be: (original) hybrid novels, remediated novels and (original) remediated hybrid novels.\u00a0In this investigation we approach visual devices as tools for the revaluation of printed books and as a means to attract new readers. It also discusses how, through the graphical processing (remediation) of any given conventional novel, one can “recover” traditional works (classical and others).
\nOne of the objectives of the study described in this dissertation was to understand the various characteristics that graphic devices can assume on the pages of hybrid novels; understand the existing typologies, how they present themselves, what are their functions in the narrative, and how they contribute to the visual side of reading.\u00a0By analysing the hybrid novel \u201cExtremely Loud & Incredibly Close (2005), by Jonathan Safran Foer, we demonstrate the usefulness and versatility that graphic and visual devices have for communication design and how they can visually challenge the reader.
\nSince this is a project based dissertation, a hybrid artefact was developed to show the visual and material complementarity between the main text and graphic devices. By redesigning and adding graphic devices to the dissertation itself (in academic format) we developed a hybrid artefact that \u201cshows\u201d the contents of the theoretical research that supports it.<\/p>\n","protected":false},"excerpt":{"rendered":"Tatiana Alves \/ orient. Em\u00edlio Vilar \u2014 DISSERTA\u00c7\u00c3O [PT] \u2014 RESUMO O trabalho desenvolvido no \u00e2mbito do design de comunica\u00e7\u00e3o \u00e9 raras as vezes o resultado de parcerias estreitas entre designers e escritores.No entanto, esta rela\u00e7\u00e3o come\u00e7a a estar presente na edi\u00e7\u00e3o de romances h\u00edbridos. Os romances h\u00edbridos s\u00e3o romances onde ao texto principal se […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[12],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/701"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=701"}],"version-history":[{"count":3,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/701\/revisions"}],"predecessor-version":[{"id":707,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/701\/revisions\/707"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=701"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"RH03\"](\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2015\/04\/RH03-350x281.png\")
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