{"id":749,"date":"2016-03-18T12:00:03","date_gmt":"2016-03-18T12:00:03","guid":{"rendered":"http:\/\/fbaul-dcnm.pt\/wp\/?p=749"},"modified":"2016-04-16T10:10:23","modified_gmt":"2016-04-16T10:10:23","slug":"do-arquivo-ao-novo-impactos-da-tecnologia-digital-no-armazenamento-e-disseminacao-da-informacao-na-cultura-contemporanea","status":"publish","type":"post","link":"http:\/\/fbaul-dcnm.pt\/wp\/?p=749","title":{"rendered":"Do Arquivo ao Novo: Impactos da tecnologia digital no armazenamento e dissemina\u00e7\u00e3o da informa\u00e7\u00e3o na cultura contempor\u00e2nea.\u00a0"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-750\" src=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2016\/04\/arquivo1-350x227.png\" alt=\"arquivo1\" width=\"350\" height=\"227\" srcset=\"http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2016\/04\/arquivo1-350x227.png 350w, http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2016\/04\/arquivo1-1024x666.png 1024w, http:\/\/fbaul-dcnm.pt\/wp\/wp-content\/uploads\/2016\/04\/arquivo1.png 1298w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p><strong>Sara Orsi Fernandes<\/strong> \/ Orient. Lu\u00edsa Ribas e Jos\u00e9 Gomes Pinto<br \/>\n\u2014<br \/>\n<a href=\"https:\/\/www.dropbox.com\/s\/owpodwt398p7acv\/disserta%C3%A7%C3%A3o%20%E2%80%93%20sara%20luisa%20orsi%20fernandes.pdf?dl=0\" target=\"_blank\">DISSERTA\u00c7\u00c3O[PT]<\/a><br \/>\n\u2014<br \/>\n<a href=\"http:\/\/www.saraorsi.com\/demo\/ap\" target=\"_blank\">PROJECTO: A-P (arquivo-programa)<\/a><br \/>\n\u2014<br \/>\n<b>RESUMO<\/b><br \/>\nAo tomar caminhos do arquivo ao novo, a presente disserta\u00e7\u00e3o reflete sobre os impactos resultantes da massifica\u00e7\u00e3o e evolu\u00e7\u00e3o da tecnologia digital na forma como armazenamos e disseminamos a informa\u00e7\u00e3o no complexo que compreendemos como cultura. Com este intuito, procede-se a uma investiga\u00e7\u00e3o te\u00f3rica que constr\u00f3i um corpo conceptual, do qual se extraem conceitos para se concretizar uma investiga\u00e7\u00e3o pr\u00e1tica.<br \/>\nA investiga\u00e7\u00e3o te\u00f3rica abre com um ex\u00f3rdio, no qual se desmonta a concep\u00e7\u00e3o de arquivo para o identificar como dispositivo de poder e se analisar a sua transi\u00e7\u00e3o de um objecto t\u00e9cnico anal\u00f3gico para uma tecnologia digital. De seguida, estabelece-se um contexto hist\u00f3rico a partir da evolu\u00e7\u00e3o dos exerc\u00edcios e dos dispositivos de poder e desenvolve-se uma leitura sobre os impactos da presente media\u00e7\u00e3o tecnol\u00f3gica na experi\u00eancia, na constru\u00e7\u00e3o do conhecimento e nas formas de controlo. Por fim, s\u00e3o lan\u00e7adas algumas hip\u00f3teses sobre a evolu\u00e7\u00e3o da tecnologia.<br \/>\nA investiga\u00e7\u00e3o pr\u00e1tica concretiza-se numa plataforma digital que acontece em dois momentos: um de arquivo e outro de programa. O primeiro momento, de arquivo, trata-se de um reposit\u00f3rio de projectos que abordam o tema da disserta\u00e7\u00e3o. O segundo momento, de programa, configura-se como um programa cultural implementado atrav\u00e9s de programas inform\u00e1ticos. Estes, na sua execu\u00e7\u00e3o, resultam em performances que, a partir da informa\u00e7\u00e3o reunida no arquivo, geram uma nova experi\u00eancia dessa mesma informa\u00e7\u00e3o. Neste sentido, foi estruturado um enquadramento para se sistematizarem processos computacionais de modo que as performances resultem em experi\u00eancias com potencial de novidade, express\u00e3o e reflex\u00e3o.<br \/>\nAs componentes te\u00f3rica e pr\u00e1tica da investiga\u00e7\u00e3o procuram abordar a tecnologia digital n\u00e3o como um fim em si, mas como um factor que afecta a experi\u00eancia e o comportamento humano.<br \/>\n<b>Palavras-Chave: <\/b><i>arquivo, novo, tecnologia digital, informa\u00e7\u00e3o, programa.<\/i><\/p>\n<p><b>ABSTRACT<\/b><br \/>\nWhile taking paths from the archive to the new, this dissertation reflects on the resulting impacts of the introduction, massification and dissemination of digital technology, in the way we store and deal with information, inside the complex that we understand as culture. To this end, a theoretical investigation is performed in order to build a conceptual body from which concepts are drawn in order to effectuate a practical research.<br \/>\nThe theoretical research starts with an exordium in which the concept of the archive is deconstructed in order to identify it as a device of power and to analyse its transition from a technical analog object into a digital technology. Following this, a historical context is established, drawing on the evolution of power exercises and apparatuses, and a reading of the impacts of the present technological mediation on experience, knowledge construction and forms of control is developed. Finally, some hypotheses on the evolution of technology are formulated.<br \/>\nThe practical research materializes in the form of a digital platform which takes place in two moments: one of archive, the other of program. The first moment, of archive, consists of a repository of projects dealing with the dissertation\u2019s subject. The second moment, of program, is configured as a cultural program implemented through computer programs. These, in their execution, result in performances which, taking from the information collected on the archive generate a new experience of that same information. To this effect, a framework was structured in order to have computational processes systematized in a way that the performances result in experiences with a potential for novelty, expression and reflection.<br \/>\nBoth theoretical and practical components of the research seek to address digital technology not as an end in itself, but as a factor that affects human experience and behaviour.<br \/>\n<b>Keywords:<\/b> <i>archive, new, digital technology, information, program.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sara Orsi Fernandes \/ Orient. Lu\u00edsa Ribas e Jos\u00e9 Gomes Pinto \u2014 DISSERTA\u00c7\u00c3O[PT] \u2014 PROJECTO: A-P (arquivo-programa) \u2014 RESUMO Ao tomar caminhos do arquivo ao novo, a presente disserta\u00e7\u00e3o reflete sobre os impactos resultantes da massifica\u00e7\u00e3o e evolu\u00e7\u00e3o da tecnologia digital na forma como armazenamos e disseminamos a informa\u00e7\u00e3o no complexo que compreendemos como cultura. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[13],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/749"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=749"}],"version-history":[{"count":2,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/749\/revisions"}],"predecessor-version":[{"id":757,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/749\/revisions\/757"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=749"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}