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Susana Sanches Pato \/\u00a0<\/strong>orient. Luisa Ribas, Miguel Cardoso.\u00a02014 Susana Sanches Pato \/\u00a0orient. Luisa Ribas, Miguel Cardoso.\u00a02014 \u2014 PROJECTO: “SRP” DISSERTA\u00c7\u00c3O [PT] \u2014 Trabalho apresentado e artigo publicado na Confer\u00eancia\u00a0xCoAx 2014 \u2014 RESUMO Esta investiga\u00e7\u00e3o aborda a utiliza\u00e7\u00e3o de regras enquanto elemento estruturador dos sistemas procedimentais e visa a promo\u00e7\u00e3o de uma experi\u00eancia interactiva l\u00fadica enquanto estrat\u00e9gia para a explora\u00e7\u00e3o criativa desses sistemas. O […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[6],"_links":{"self":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/83"}],"collection":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=83"}],"version-history":[{"count":9,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/83\/revisions"}],"predecessor-version":[{"id":726,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=\/wp\/v2\/posts\/83\/revisions\/726"}],"wp:attachment":[{"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=83"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=83"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fbaul-dcnm.pt\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2014
\nPROJECTO: “SRP”<\/a>
\nDISSERTA\u00c7\u00c3O [PT]<\/a>
\n\u2014
\nTrabalho apresentado e artigo publicado na Confer\u00eancia\u00a0xCoAx 2014<\/a><\/strong>
\n\u2014
\nRESUMO<\/strong>
\nEsta investiga\u00e7\u00e3o aborda a utiliza\u00e7\u00e3o de regras enquanto elemento estruturador dos sistemas procedimentais e visa a promo\u00e7\u00e3o de uma experi\u00eancia interactiva l\u00fadica enquanto estrat\u00e9gia para a explora\u00e7\u00e3o criativa desses sistemas. O trabalho contempla a aplica\u00e7\u00e3o e transposi\u00e7\u00e3o de princ\u00edpios computacionais para o espa\u00e7o f\u00edsico atrav\u00e9s da execu\u00e7\u00e3o humana enquanto revers\u00e3o de uma simula\u00e7\u00e3o
\nprocedimental. Este estudo inspira-se em pr\u00e1ticas contempor\u00e2neas que procuram reinterpretar princ\u00edpios explorados pelas vanguardas dos anos 60 que utilizavam o corpo como medium para a cria\u00e7\u00e3o art\u00edstica. Invoca as obras Game of Life (Conway, 1970) e Reverse-Simulation Music (Miwa, 2002) enquanto estudos de caso: dois p\u00f3los opostos que ilustram tanto a execu\u00e7\u00e3o pela m\u00e1quina como pelo ser humano atrav\u00e9s da simula\u00e7\u00e3o procedimental e da sua revers\u00e3o.
\nO projecto baseia-se numa explora\u00e7\u00e3o te\u00f3rico-pr\u00e1tica de estrat\u00e9gias an\u00e1logas a ambos os exemplos, tendo como objectivo proporcionar um entendimento do c\u00f3digo de software enquanto mat\u00e9ria criativa dentro e fora do computador.
\nTrata-se de uma abordagem que n\u00e3o s\u00f3 estabelece analogias entre sistemas artificiais e humanos como procura evidenciar as nuances da actua\u00e7\u00e3o (performance) humana e o seu papel na realiza\u00e7\u00e3o e express\u00e3o da obra interactiva.
\nPalavras-chave: <\/strong>procedimentalidade, simula\u00e7\u00e3o, simula\u00e7\u00e3o-revertida, interactividade, experi\u00eancia.
\n\u2014
\nABSTRACT<\/strong>
\nThis research approaches the use of rules as a structuring element of procedural systems and aims to promote a playful interactive experience as a strategy for the creative exploration of those systems. This work contemplates the application and transposition of computational principles to physical space through human execution, as the reversal of a procedural simulation. This study is inspired by contemporary practices that seek to reinterpret principles explored by vanguards of the 1960s, which used the human body as a medium for creation.
\nIt invokes the works Game of Life (Conway, 1970) and Reverse-Simulation Music (Miwa, 2002) as case studies: two opposite poles that illustrate both human and machine execution through procedural simulation and its reversal.
\nThe project is based on a theoretical and practical exploration of strategies analogous to both examples, aiming to provide an understanding of software code as a creative field inside and outside the computer. This approach not only seeks to draw analogies between human and artificial systems, but also aims at highlighting the nuances of human performance and its role in the enactment
\nand expression of interactive works.
\nKeywords:<\/strong> procedurality, simulation, reverse-simulation, interactivity, experience<\/p>\n","protected":false},"excerpt":{"rendered":"